Photo taken in the garden on one of those rare sunny days here.

A slightly long walk away from the house I found these fields ripe.

I was out with the long lens one day and captured a few shots of the sheep and their pups who were in a field behind out vet.

Hello, this is my first proper new photo in ages!! Sorry for being away for so long. Just lack of time, lack of motivation and lack of access to Photoshop CS. Hopefully I’ll be able to get a few more done before my trial runs out in 12 days time.

This was taken in the fields near my house after a we got covered in snow (for the first time in years) in February 2009. We don’t get much snow here so I made the most of it and took lots of pics.

Featured text to be added later.

Featured text to be added later.

To me this shot looks like it’s an HDR image but I can ensure you that it’s not and most of the processing was done in Camera Raw with some tweaking in Photoshop.

Shot taken with my Sigma 10-20mm wide angle lens, which I’ve not used in ages!

A peony in the back garden. I’ve had a little play with the saturation.

]]> http://www.e-lusion.co.uk/blog/2009/02/22/peony/feed/ 2 http://www.e-lusion.co.uk/blog/2009/02/21/drops-leaf/ http://www.e-lusion.co.uk/blog/2009/02/21/drops-leaf/#comments Sat, 21 Feb 2009 17:54:23 +0000 koltregaskes http://www.squashyfrog.com/?p=287 In a continuing effort to post something, anything here (instead of just leaving it to collect dust) I’m going to try and post a pic a day from my Flickr stream.  Nothing fancy, but please add your comments here and/or on Flickr.  I’d love to have any feedback on this and anything I post here, on Flickr as well as FriendFeed (which I’m trying to link to this blog as much as possible).  Today’s pic:

High contrast shoot of a water-covered leaf in the back garden.

Click on the image to go to the pic on Flickr.  There you can see the original plus comments already posted.

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A shot of my Golden Retriever, Kaz. He’s a poser as you can tell.
Seriously though, it’s very hard to capture him as he doesn’t stay still for more than a few seconds. At just 3 years old he’s is so full of energy especially when I take him out for his walk! I reckon he could keep going all day long!

But luckily on one of my early morning expeditions I caught him here. He was standing up on a mound near a pond while the Sun was coming up and the sky was a wonderful yellowy-orange. I think he might have heard a train coming and so went into ‘alert mode’ – Kaz loves to chase the trains, but so far he’s never caught up with one.

Again this is Edenbridge and at a place called Prettymans Pond. I’m not sure what it’s called that but it’s fantastic little pond and I’ve spent many an hour here practicing my photography and taking shots of the pond and the trees in every way I can think of. I’ve found that by going back to the same place over and over again you eventually see different angles for shots and find different ways of capturing the same subject. I’ve also tried to go here at different times of the day in different weather conditions. It’s been very interesting to see the changes these bring and I’ve certainly learnt how to look at things with a ‘photographer’s eye’.

This is a slightly adjusted photo (see below for original). I’ve cropped the top and left a little and increased the saturation throughout. Also I’ve lightened Kaz a little as he was a bit too dark. What does everyone think? I still think the sharp foreground branches are a little distracting?

In the process of creating this photo I thought of two questions:

Question 1: What is the best way to convert an image from Photoshop (PSD, TIFF) to JPEG? What I normally do is save the PSD as a TIFF then go into ACDSee and convert it there at max. quality to a JPEG (thus keeping the EXIF data). But this photo really highlights a problem (or two) I’ve noticed in that converting to JPEG reduces the saturation and darkens the brightness. Is there a better way to convert to JPEG to keep the exact tone of the image as well as the EXIF info?

Question 2: I had to refine and touch up the selection of Kaz in Photoshop as left alone he stuck out too much and his hair (especially his underneath) had a nasty line where one part of the image was dark+saturated and the other was bright+lightened. What’s the best way to blend these areas? I used the smudge tool on the selection layer and the result seems OK but is there a better way?

The original photo has been printed in the UK newspaper, Kent & Sussex Courier on 01-Feb-2008 (my first print!) and made it to onto Flickr’s Explore on Jan 8, 2008 at #434. The scan of the newspaper print is below:

Blog entry at Dark Matter Magazine is here.

Shot taken near Boxham Farm in Edenbridge, Kent (UK) and not too far away from my previous shot. The light was amazing that morning!I had scouted this area out previously and knew I had to be there for sunrise. So on the next occasion of a bright morning I was up and out the door at about 6:45am. I trekked up to here in the near-dark (which was a good half hour) and then basically waited for the sun to come up through the trees.

When it did, I was up and down this hill over and over, taking lots of different shots from different angles and of course with different light. If anyone saw me they would have thought I was a right nutter. But it was all worth it and got this and many other wonderful shots.

Second entry on Dark Matter Magazine’s web site. Blog entry is here.

I’ve been selected to post on the Dark Matter Magazine site. I feel very honoured to be among such fine artists so have a look. So here’s a copy of my first post there.

This is my (currently) home town of Edenbridge. A small place in the UK county of Kent, bordering Surrey and Sussex. This particular shot was taken near Boxham Manor which is found near Marl Pit. I get a lot of my shots from walking the vast amount of farmland here. It generally means very, very early mornings to beat sunrise, scouting around a bit then picking my spot. Sometimes, though, the spot is already in my head from previously seeing it but this shot was a ‘there and then’ and happy how it turned out.

If anyone is interested I used this picture to create one of my first HDR-style images. It’s an interesting way to create a picture but I’m not quite there with the technique yet. Have a below (second image). To me the photo becomes more like a painting?

As a second attempt I also produced the picture below (third image), but felt that the top left part of the image was too dark (and dark in general). Again, each had slightly different tonemapping settings. Let me know which one you prefer? I’m quite keen on the original myself.

This is my second attempt at an HDR image. The photo shows the farmhouse at Boxham Farm in Edenbridge in Kent, UK. I took the shot while on one of my early morning walks in the local fields. As you can see it was a cold, cold morning but it’s worth it when you get such a great tree in the wonderful sunlight. Unfortunately I was only carrying my 18-50mm lens and could step any further back to get the whole of the tree in shot, so alas this won’t make it into my portfolio. But ignoring that I really like the shot and experimenting with HDR for the first time was fun. Flickr liked it too, so much so it made #11 for 22-Feb- 2008 on Explore!

The way I created this HDR (High Dynamic Range) shot was from one RAW file. I saved it out from Camera RAW to a TIFF file and created 3 images one at -2 EV, one at 0 EV and another as +2 EV (so 3 exposures, one dark, one normal and one light). I then dragged these into Photomatix, generated the HDR then tonemapped it. It took a bit of fiddling with the tonemapping settings but eventually I got the result above. The first thing I’ve noticed is that the clouds are far more dynamic but this is at the cost of a lot of added noise. I’m not sure I really like this style of HDR but it’s an interesting alternative and was fun to try. I’ll be posting a more detailed entry on how it was, so please check back soon.

The original photo is below, so please compare it.

Photoshop

How to Cheat in Photoshop: The Art of Creating Photorealistic Montages – Updated for CS2
The Photoshop CS2 Book for Digital Photographers
Adobe Photoshop CS2 (Classroom in a Book)

Photography

The World’s Wild Places
The World’s Top Photographers: Wildlife
Portraits (World’s Top Photographers S.)
Photojournalism: And the Stories Behind Their Greatest Images (World’s Top Photographers)
Landscape (World’s Top Photographers S.)
Photography and the Art of Seeing: A Visual Perception Workshop for Film and Digital Photography
Rock Faces: The World’s Top Rock ‘n’ Roll Photographers and Their Greatest Images
Love Your Dog Pictures: How to Photograph Your Pet with Any Camera
Through the Lens: “National Geographic” Greatest Photographs
Wide Angle: National Geographic Greatest Places
Wildlife Photographer of the Year: Portfolio 15
The Essential Wildlife Photography Manual: Successful Digital and Film Techniques for Creative Photography

Below I’ve listed some travel and nature books that might come in handy. One reason I would to be a photography is the potential to travel around and capture all the interesting places, buildings, etc. out there. As a general role, Lonely Planet books are pretty much the best travel books around but I have a combination of LP, TimeOut and Rough Guides for several places:

Travel

Rough Guide to Ireland (Rough Guide Travel Guides S.)
The Rough Guide to England (Rough Guide Travel Guides S.)
The Rough Guide Map to London – Edition 2
England (Lonely Planet Regional Guides S.)
The Cities Book (Lonely Planet Pictorial S.)
The Travel Book: A Journey Through Every Country in the World (Lonely Planet S.)
100 Great Cities of the World
The Rough Guide Map Ireland (Rough Guide Map S.)
The Worldwide Guide to Movie Locations Presents London
The Rough Guide to London (Rough Guide Travel Guides S.)
100 Great Wonders of the World
The Rough Guide to Scotland – Edition 7
The Rough Guide to Britain (Rough Guide Travel Guides S.)
London by London: The Insider’s Guide (2nd Edition)
London (Lonely Planet City Guides S.)
Wales (Lonely Planet S.)

Nature

Light on the Earth